[情報] 和平歸來第四集 2023年多倫多台灣文化節

作者: sodabubble (石の上にも三年)   2023-08-25 15:20:14
國際橋牌社 Island Nation 2023/08/25(星期五)10:02發文:https://reurl.cc/eD1ZdM
《國際橋牌社》外傳《和平歸來》即將於加拿大的台灣文化節與海外眾牌友們見面!
今年《國際橋牌社》外傳《和平歸來》非常榮幸的獲選為台灣電影櫥窗的其中一個播映節
目,要在活動上播映第四集!
《台灣文化節》的策展單位始終認為,歷史除了紀錄過往,也更是理解現在與遠觀未來的
重要工具;卻有許多珍貴的歷史故事,被悄然淹沒在時間的洪流中、非常可惜。他們希望
這些被遺忘的故事可以被看見,這也正與國橋團隊的理念不謀而合。
熱烈呼籲在加拿大的牌友們,千萬不要錯過這個好機會!也希望大家可以多多幫忙宣傳,
或帶著海外的朋友一起了解我們這段不能被遺忘的台灣故事。
#TorontoTAIWANfest  #VancouverTAIWANfest
《國際橋牌社:和平歸來 Island Nation:Hoping》(外傳SP):#1Yk-NDqB (TaiwanDrama)
《TAIWANfest Toronto 多倫多台灣文化節》Cinematic TAIWAN 台灣電影櫥窗
地點:Harbourfront Centre 多倫多聯邦湖濱演藝中心 / Studio Theatre
時間:2023/08/26 Aug 26th 17:00-18:00
Linktree外部網址整理:https://linktr.ee/taiwanfest.toronto
網站:https://torontotaiwanfest.ca/cinematic-taiwan
臉書:https://fb.com/TAIWANfestToronto
   https://fb.com/events/654941846567698
 IG:https://www.instagram.com/taiwanfest.toronto
推特:https://twitter.com/taiwanfest_tor
YouTube:https://www.youtube.com/channel/UCks29jGeDZirdgN77qB849Q
《TAIWANfest Vancouver 溫哥華台灣文化節》Cinematic TAIWAN 台灣電影櫥窗
地點:downtown / ANNEX
時間:2023/09/03 Sept 3rd 17:00 PM - 18:00
Linktree外部網址整理:https://linktr.ee/taiwanfest
網站:https://vancouvertaiwanfest.ca/cinematic-taiwan
臉書:https://fb.com/TAIWANfest
   https://fb.com/events/298763472812814
 IG:https://www.instagram.com/taiwanfest
推特:https://twitter.com/TaiwanFest
YouTube:https://www.youtube.com/channel/UCxi_YzQvxZrSaa_OQDsOtEg
From the Curating Team:「Who was left out? History is not only a record of
the past but also serves as an important tool for understanding ourselves and
shaping our future. However, many non-mainstream events, characters, and
objects have been overlooked and hidden in the torrent of time. Within the
backdrop of colonialism, how can we protect Taiwan’s subjectivity? We must
organize anew our pasts, and record these forgotten stories, so as to fill in
the blanks of our history.
How should we cope with the impact of self-identity when facing immigrants of
different cultures and languages? Their experiences and contributions should
be included in our historical narratives, to further our understanding and
respect of these diverse identities. These disappeared histories are not only
part of our shared memory, but also a way for us to heal from past traumas
and search for a common ground.
These questions drive us to reflect on the presentations of history we have
access to. We must build a more holistic and inclusive historical
perspective, one that incorporates marginalized stories and allows everyone
to find their place and value in history. These films are not only a tribute
to the past, but also an inspiration to our present and the future. Let us
work together to achieve a more just and equal society.」
《TAIWANfest Vancouver》策展團隊的話:「誰被遺漏了?歷史絕非僅僅是過去的紀錄,
它更是當下我們瞭解自我、塑造未來的重要工具。然而,有許多被忽視的非主流事件、角
色和物件被迫隱藏在時間的洪流中。在受到殖民的時空背景下,我們面臨著一個關鍵問題
:『如何保護國家或族裔的主體性?我們需要重新整理和記錄這些被遺忘的故事,填補歷
史上的空白。』
同樣地,當我們面對不同文化和語言的移民時,他們如何應對自我認同的衝擊?這是一個
值得思考的問題。他們的經歷和貢獻必須被納入歷史的敘述中,讓我們能夠理解並尊重多
元的身份。因為消失的歷史並不僅僅是共同記憶的一部分,它也是我們抒發傷痛和尋找共
鳴的出口。
這些問題迫使我們深思歷史的選擇和呈現方式。我們需要建立一個更全面和包容的歷史觀
,將被邊緣化的故事納入其中,讓每個人都能夠在歷史中找到自己的位置和價值。這不僅
是對過去的敬意,也是對當下和未來的激勵,讓我們一同努力實現更加公正和平等的社會

《國際橋牌社:和平歸來 Island Nation:Hoping》(外傳SP):#1Yk-NDqB (TaiwanDrama)
“A human life is my whole world, my life!” Facing the challenges of both
the virus and human nature, the protagonist’s emotional outburst resonates
across the screen.
During the 2003 SARS outbreak in Taiwan, the cold realities of civilian lives
under political struggle, a tale of human perseverance.
The whole world is still reeling from the impact of Covid-19. Many people’s
lives, work and lifestyle have encountered tremendous changes. This forces
people to face the truth of their smallness within the universe, and to
reflect on their relationship with nature. As the pandemic spreads, the enemy
we are facing is not only a virus, but also the challenge of humanity. In
every moment, each character is struggling, in fear, and oozing empathy, and
we’re forced to wonder if their actions are real or fake.
The series Island Nation candidly shows the reality under political power
struggle. It boldly exposes the phenomenon of bureaucratic corruption, and
delicately depicts the helplessness and anger felt by the civilians who were
sacrificed under the struggle of interests. Ultimately, however, whether
humans will choose the resilience of survival remains an unanswered question.
This series reminds us to rethink our connection with the world and to meet
the challenges of the future with perseverance. Despite the pain struggles
all around us, we can find inner strength by letting go of the false and
welcoming the real. This film is a complete story, showing the fragility and
tenacity of human nature and leading us to think about the value of life, and
helping Taiwanese society move forward.
「一條人命是我的全世界,是我的人生!」主角面對著病毒與人性的挑戰,席捲而來,他
以沈痛的嘶吼表達了內心的情感。
關於台灣2003年SARS期間,政治鬥爭下平民生活的冰冷現實,一個人類堅忍不拔的故事。
全世界剛經歷過Covid-19的衝擊,許多人的生活、工作和人生等都遭遇到巨大的變化。這
讓人們被迫正視自己的渺小,並反思與大自然之間的關係。
在疫情蔓延的時刻,我們所面對的敵人不僅僅是病毒,更是人性的挑戰。每個角色在此刻
都在掙扎、恐懼、同情,而我們也不得不思考他們的行為是否真實或虛假。
影集《和平歸來》真實地展現了在政治權力鬥爭之下的現實,它赤裸地揭露了官僚腐敗的
現象,細膩地刻劃了利益角力下被犧牲的小人物所感受到的無奈和憤怒。然而,最終,人
類是否能夠保留面對生存的韌性,這仍然是一個未知的問題。這部影集提醒我們重新思考
與世界的連結,並以更堅韌的姿態去迎接未來的挑戰。儘管痛苦和困難環繞著我們,但我
們可以通過拋棄虛假和迎接真實來找到內在的力量。這部電影是一個完整的故事,展現了
人性的脆弱和堅韌,並引領我們思考生命的價值與意義,幫助台灣社會更向前推進一步。
About the Director LIN Shi-Zhang 關於導演林世章
Director Lin Shizhang had a rich experience in film and television shooting,
and demonstrated incredible professional skills in this field. He had served
as the director of the Island Nation series. He deeply understands audience
preferences, and presented stories in a unique way that resonated with the
people. He often collaborated with other filmmakers to inspire new ideas,
creating thoughtful works that pique interest. His works explored human
nature, and inspired people’s thinking and discussion. The delicate handling
of the story and aesthetic requirements is what makes his works vivid and
exquisite, and the combination of creativity and professionalism brings
surprises to the audience.
林世章導演以豐富影視拍攝經歷展現專業能力,曾擔任《國際橋牌社》系列影集以及外傳
的導演。他深入了解觀眾喜好,以獨特方式呈現故事並引起共鳴。與製片方合作能表達想
法,創造細緻吸引人的影像作品。作品深入探索人性層面,引發觀眾思考和啟發。細膩處
理故事和美感要求使作品生動精緻入勝,結合創意和專業帶來驚豔,激勵觀眾。

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