大家好，我是康老師，
因為題目有三種難度，
所以每位同學在考場上遇到的題目不一定一樣，連作文也常不一樣。
老師特別花了時間在下面彙整各同學們的回報。
由於9月8日兩岸同時開考，所以也將大陸考題併入和大家分享，歡迎同學幫忙補充。
本次英文原題整理請參見：https://goo.gl/OVsya5
更多完整版原題收藏請詳見班內真經班各期講義
▲ 填空
0908 GRE填空/等價真題：總共11組命中真經班
◆ 填空命中真經班：The new drug was………
(本篇英文原題如下)
Just because, as a photographer, Friedlander (i)______ places that most
people consider ugly does not mean that he is out to prove they are
beautiful. Instead, his work suggests that the photographer simply cannot
ignore so much of the built American landscape but is obligated to (ii)______
what we pass through day in and day out, regardless of (iii)______.
【真經班解答】(i) is interested in (ii) document (iii) aesthetics
【真經班解析】aesthetics : < -sthet = -sent：sense 感覺 > → 對某物很有感覺 →
感覺很美的 → 美學的。
◆ 填空命中真經班：Many of the towns………(本篇英文原題)
When the Agriculture Department (i) ______ its new dietary guidelines, it
laid down a challenge: Eat better, smarter, and healthier, or else. The “or
else” included a long list of (ii) ______ that (iii) ______ the developed
world, from heart disease and osteoporosis to diabetes.
【真經班解答】(i) made public (ii) maladies (iii) plague
【真經班解析】malady : < mal-：bad 不好的 > ← 源自法文 maladie（n. 疾病），由
身體的病痛，引申至問題。
◆ 填空命中真經班：The research found that………
◆ 填空命中真經班：The brain has become………
◆ 填空命中真經班：In Protoscience times………
◆ 填空命中真經班：…solid case studies………
◆ 填空命中真經班：In Protoscience times………
◆ 填空命中真經班：Because the political situation………
◆ 填空命中真經班：Many Latin American writers………
◆ 填空命中真經班：P’s model of human………
◆ 填空命中真經班：Since he had demonstrated………
(以上英文原題請見上面連結下載哦!)
▲ 閱讀
0908 GRE閱讀：總共命中三篇閱讀真經班原題（共7題）
◆ 0908 GRE閱讀第一篇命中：Feminine Novel 女性小說
(本篇英文原題如下)
In a critique of Mrs. Elizabeth Norman’s The child of Woe: A Novel (1789),
the Analytical Review (February 1789) remarked that having no other virtues
to recommend it, the book could only be termed "a truly feminine novel," the
vast majority of which were “so near akin to each other, that with a few
trifling alterations, the same review would serve for almost all of them”
The Analytical Review’s rather arch dismissal of novels by women has all
too often been reflected in the literary histories of English fiction, where
it has been popular to view the rise of the novel as the exclusive history of
“the five greats” (Defoe, Richardson, Fielding, Smollett, and Sterne) and
to ignore or at best to minimize the contributions of eighteenth-century
women novelists. Serious readers of eighteenth-century fiction have finally
come to admit, however, that the novel did not spring fully formed from the
mind of Richardson, but was the child of many parents and the outgrowth of
narrative techniques and fictional conventions first developed by writers of
popular fiction, many of them women. In short, literary historians and
critics have begun to give eighteenth-century women novelists their due, a
process of reassessment that owes much to the rise of women’s studies and a
parallel growth in critical interest in eighteenth-century fiction in general.
Today’s critical focus on the “feminine novel” as a category suggests that
in one sense the Analytical Review was right: women novelists of the
eighteenth century were “akin to each other,” sharing common interests,
common themes, common techniques, and as women of the eighteenth century, a
common techniques, and as women of the eighteenth century, a common fate. But
the Analytical Review was also quite mistaken, for if, as popular writers,
eighteenth-century women produced a large body of eminently forgettable (if
not unreadable) works, then many modern readers of the new paperback editions
of these women’s novels remind us that eighteenth-century women novelists
also created an abundance of works marked by their quality and originality,
as well as their historical interest. Moreover, the sheer variety of modern
critical responses to the “feminine novel” and the liveliness of the
critical debate surrounding them prove beyond question that never again will
the same review “serve for almost all of them.” Of course, as in all areas
of literary study, much has been written that was perhaps better left unsaid:
some scholarship seems superfluous, some merely dull. But the general
critical controversy is a healthy sign, indicating that eighteenth-century
women writers are finally being judged as international artists worthy of
such consideration. What seems clearest of all is that the rediscovery of the
eighteenth-century woman novelist has resulted in the skillful mapping of a
kind of new literary territory that, although not entirely unknown, had until
recently been infrequently visited and remained largely unexplored.
幫同學奉上原題與正解：
1. The passage identifies which of the following factors as contributing to
scholarly reevaluations of such novels as The Child of Woe?
D. The rise of women’s studies and interest in eighteenth-century fiction.
2. The passage suggests that which of the following is true of
eighteenth-century women novelists?
One cannot adequately describe the origins of the novel without considering
the works of such writers.
3. It can be inferred from the passage that the author believes which of the
following about critical controversy?
When critics disagree vigorously about how to read a literary work, that very
disagreement is some evidence of the work’s significance.
4. The author of the passage criticizes some recent scholarship of the
eighteenth-century feminine novel for being
unnecessary and tedious
◆ 0908 GRE閱讀第二篇命中：Population Pressure人口壓力
◆ 0908 GRE閱讀第三篇命中：Dead Zones 死區
(以上英文原題請見上面連結下載哦!)
▲ 數學
◆ 四個不同玩具分給不同3人每人至少1個玩具有多少分法
▲ 寫作
Issue: 8、19、43、112
[19、43、112] 命中GRE作文黃寶書9月號
Argument: 60、22、146、50、51
[60、50] 命中GRE作文黃寶書9月號
作文黃寶書9月號下載請見【GRE學習團檔案區】：https://goo.gl/OVsya5
TOEFL學習團 托福JJ情報資源、問題探討、考試情報交流
http://bit.ly/29SZbaN
GRE學習團 GRE機經整理、情報資源、問題探討、考試情報交流
https://goo.gl/OVsya5