2020 ART TAIPEI 台北國際藝術博覽會 S07 / S17展位
「紀錄軌跡 A Circuit Traced」
公眾展期｜
2020/10/23(五) 14:00-19:00 至 2020/10/26(一) 11:00-18:00 止
活動地點｜
台北世貿中心一館(台灣台北市信義區信義路五段5號)
策展人｜
#洪秉綺 Iris, Hung Ping-Chi
參展單位｜
#台灣藝文空間連線 #Taiwanartspacealliance
參展藝術家｜
#王筱璦 WANG Hsiao-Ai
#周孟曄 CHOU Meng-Yeh
#施惟捷 SHIH Wei-Chieh
#陳翊羽 CHEN Yi-Yu
#陳宜艷 CHEN I-Yen
#鄭亭亭 CHENG Ting-Ting
展覽論述｜
禪語「見山是山，見水是水；見山不是山，見水不是水；見山是山，見水是水」，強調
觀者在觀看時心境的轉化。同樣的藝術家也是這樣對待自己的創作，對事物不斷反覆的
提出懷疑、思索與探究，進而瞭解其本質，試圖以創作回應中間的過程，並以勞動的動
作描繪內心的想法。當代藝術的詮釋是多元且開放的，但鮮少以工藝性的角度討論，若
能破除工藝不僅只是當作一個單字或分類，而是藝術家在技法美學和材質美學之外，作
為一種知識傳遞的過程，希望能帶出作品背後的意涵，那可能是關於時間的流轉、空間
的異動、歷史文化的承載、家庭的關係、身份認同以及跨域中尋求創新與共融。
“To see mountains as mountains, rivers as rivers; to see mountains not as m
ountains, rivers not as rivers; to see again mountains as mountains, rivers
as rivers.” This Zen saying emphasizes the transformation of the viewer's m
ind through the process of observation. It describes also the approach of th
e artist: constantly raising doubts, thinking and exploring matters, and the
reby apprehending the essence. Artists seek to respond to such a process thr
ough their practice, depicting inner thought with outer labor. Interpretatio
ns of contemporary art are diverse and open, but it has rarely been discusse
d from the perspective of craftsmanship. Only if the idea of craftsmanship m
erely as a term or classification could be broken, to be seen as beyond mere
aesthetics of technique and material, may craft adopt its place as a proces
s of knowledge transmission along with other arts, thus further drawing out
the meaning behind works. It may be about the circulation of time and space,
the bridging between history and culture, or family relations, self-identit
y, or the search for creativity and harmony through the merging of disciplin
es.
購票連結｜https://www.accupass.com/go/2020ARTTAIPEI
#TASATW
#TASA
#特展
#arttaipei
#2020arttaipei
#台北國際藝術博覽會