最近在複習 The Office
配著Office Ladies複習 別有一番風趣
但在Conflict Resolution聽到一個網友詢問與Pam的解說
才發現原來自己錯過了那麼重要的細節
https://i.imgur.com/WQ2v1Pd.png
https://i.imgur.com/YnUKANG.png
https://i.imgur.com/vq3riU6.png
https://i.imgur.com/hhBE8iX.png
https://i.imgur.com/av5EpJw.png
https://i.imgur.com/nwcQQ3V.png
https://i.imgur.com/BRfaz0R.png
這個問題是
「為什麼大部分的採訪鏡頭(Talking Head) 只有Jim跟其他的人窗戶不同」
(當然還除了Michael 畢竟他是主管 鏡頭多半是在他的辦公室)
所以Pam的演員事後寫信去問Greg Daniels
得到的答覆是
any character that had a future outside of Dunder Mifflin or held some sort
of internal optimism would sit in front of a window leading out into the
world, but characters who didn't want to leave Dunder Mifflin — or who maybe
were in more of a position of being trapped — would do their talking heads
facing into the office
「那些未來在Dunder Mifflin之外或仍抱持某種內在樂觀希望的角色，他們窗戶是面向
世界的；而那些不想離開的──或是被困住的人──他們的鏡頭仍對著辦公室內」
而對於Pam來說，她只有跟Jim在一起時
才有著離開Dunder Mifflin的未來
https://i.imgur.com/yIkGt3h.png
我驗證過，雖然偶爾還是會有些鏡頭不按照這個規律
但可以說大多的分鏡都是遵循這個原則來拍攝
而且這個安排是從試撥集就開始的
只能講這部美劇真的很屌